Showing posts with label pins. Show all posts
Showing posts with label pins. Show all posts
25 April 2008
The cable is found! I am saved!
04 December 2006
Etsy Love
As I'm sure you already know, Etsy launched v2 in mid-November. The process was not without some problems. At least one of my images has never shown up. I love the new Etsy and have been busily listing stuff in the MysticSpiral Etsy Shop for the last two weeks.For those who are interested, there are new Raku Spindle Whorl Pins listed. I've also listed a couple of sets of the scribble pins. Keep the set together and wear them as a group, or break them up and give them as stocking stuffers. I'm loving the scribble pins. I have a couple pinned to my knitted/felted/fulled purse to use as emergency safety pins as well. I've also listed a few of the Facing Forward pins (as I've decided to call the pins with the faces on them) and will be listing more over the next week.
I'm starting to get a little nervous about the holiday. But it is a happy kind of nervous. The best kind to be.
26 November 2006
Working on Thanksgiving
'Round here, a holiday often means the opportunity to get some extra time in the studio. I've been working like crazy on pins for the MysticSpiral Etsy Shop, shows, and a couple of trade deals that I'm working on. Yesterday and today, the focus was on Raku Spindle Whorl Pins. I did the torch work yesterday afternoon and spent the evening in front of the television wiring the mica disks onto the bronze pins. This afternoon, I finshed the pins by wiring the raku fired spindle whorl beads onto the fronts. I'm really pleased with the results.
I'll be working on Stoneware Spindle Whorl Pins in the next week or two and then it will be time to start the whole process over again.One of the things that I love about making these pins is that I am intimately involved with every step of the process. From shaping the mud to make the beads to shaping the bronze rod in the flame of the torch, each pin has a lot of me in it. Each pin is a synthesis of my interests and my love for 3 media, clay, metal and fiber.
I feel such a personal attachment to each and every one of these pins. I had a picture in my head of what I wanted the pins to look like as I carved the clay to make the original spindle whorl beads. I love what I do and I feel so blessed that others, seeing my work, love it well enough to make it part of their lives or to give it as gifts to people that they care about. I could not continue to work the way that I do without the support of the people who take an interest in what I make.After I finished the spindle whorl pins, I wandered back out to the studio to spend some more time at the torch. I had so much fun making my two face pins that I just couldn't wait to make more. I have the pins done for another half a dozen or so and will probably choose faces from my bead box and start wiring them together tomorrow during the day. It feels nice to be using the faces since I'm not sure when I'll have the time, patience, and energy for the dolls again. Between studio work and puppets, I'm feeling a little like I'm neglecting the Sprout. Fortunately, she seems to enjoy the results of my labors.
25 November 2006
New Goodies
I've been reading the One Hour Craft blog for quite some time and decided to take some time this morning to respond to the One Hour Craft Challenge. I've had these faces in my bead box since before I made Oya and Innna.
I also got some studio time in yesterday and got new spindle whorl pins made and some new stuff listed in the MysticSpiral Etsy shop. I finally got around to listing some of the scribble pins in the shop and posted shawl pins. I have 4 more scanned and ready to post sometime in the next few days.
I had so much fun making the mask pins that I think I'll probably be making quite a few more of them in the next couple of weeks as well.
My next show is an indie craft faire held at a local night club. I'm not sure what to expect from the show but it should be a fun way to spend a couple of hours.
20 September 2006
Taking the long way
As a student in art history, I developed an interest in artifacts from Neolithic and bronze age civilizations. That interest is a large part of the reason that I started making ceramic beads and small vessels. Most of what we know about these ancient civilizations is based on the items (most showing exquisite workmanship considering the primitive tools available to them) found amongst burial sites. Some of the most common artifacts are spindle whorls. The spindles themselves, the shafts attached to the whorl around which the fibers were wrapped, were generally made of wood and have long since disappeared. The whorls, however, were often made of clay, stone, bone, or other materials. Many were carved with elaborate decoration. A favorite spindle was a treasured possession.I'm not sure when I realized what these spindle whorls signified. If recorded history is any indication, spinning was generally women's work. Every thread in every garment was spun in more or less the same way and passed through the fingers of a woman before being wound onto a spindle. Textiles were precious and were, almost exclusively, the domain of women. As such, spindle whorls were vitally important.
Soon after I came to these realizations, I decided that I wanted to learn to spin. I began making beads intended to serve as spindle whorls and even tried (unsuccessfully) to teach myself to spin. On some level, I guess that I believed that learning to spin would connect me with all of those women throughout history who spun during otherwise idle moments to produce the threads that clothed their families.My own work in textiles has been sporadic at best. I constructed a backstrap loom and learned to weave as part of an art education class that I took in college. I learned to crochet when I was young and have picked up the hook and put it back down many times over the course of my life. I learned to knit in a DoDDS elementary school in 1976 long enough to knit a small acrylic flag for a school project. (The stars on the flag were not knit. They were actually made with gummed foil stars that were glued to the blue field with the foil side facing down.) I promptly forgot whatever knitting I'd learned and didn't try again until about two months ago.
About a week after purchasing my first set of knitting needles and taking a knitting class taught by a friend of mine, I asked the owner of my favorite fiber store if she would be willing to teach me the fine art of spinning on a drop spindle. I'm pretty sure that my life will never be the same. I've been spinning for almost two months now. I have a beautiful spinning wheel which offered me the opportunity to learn about the parts, mechanics, and intricate workings of the wheel before I'd even had a chance to spin my first yarn. (A design flaw in the original footman resulted in a break, either while I was transporting it or at some point before it came home with me... The footman had previously broken in the same place and had been repaired. It was now time to replace it which became an unexpected opportunity to re-design the footman.)Between spinning and knitting, my interest in fiber and the textile arts has gone from a mild curiosity and occasional hobby to an overwhelming obsession. Since those interests were what motivated me to start making the shawl pins again (combined with the self-doubt that grew from an interpersonal conflict that I've already wasted too much time re-hashing here) it seemed only natural for me to renew my acquaintance with spindle whorl motifs and begin to produce focal beads based on them.
I've already uploaded a couple of my new spindle whorl shawl pins to my Etsy Shop. I'll be uploading more as time permits. (Life with toddler has a way of impressing upon you the things that you **MUST** do vs. the things that you'd like to do.) The process of making them is actually a bit of a departure for me. After carving the spindle whorl beads, I made press molds of them. I've made press molds in the past with varying degrees of success but don't always enjoy using them because I like the intimate connection with each piece that I make. Since one of my goals for my shawl pins has been to keep them as affordable as possible, I wanted to press mold the spindle whorls to reduce the labor and keep the cost down. I used a simplified variation of the technique used by Melanie at Earthenwood Studio. Once the individual beads have been press molded, I refine the carving a bit to clean up the lines and ensure that they don't have a "stamped out" appearance. The result is that each of the beads has its own character and individual feel to it from being hand-worked but I'm not investing several hours in each of them. It feels like a good compromise.IMAGE SOURCE: Woman, possibly Bedouin, holding spindle, standing in road [Stereo glass plate taken between 1898 and 1946]Taken either by the American Colony Photo Department or its successor the Matson Photo Service. Gift to the Library of Congress from the G. Eric and Edith Matson Photograph Collection
Labels:
BoC,
Etsy,
fiber art,
inspiration,
pins,
spindle whorls,
spinning,
work
08 September 2006
More Studio Stuff
I spent some time today listing new pins in my Etsy shop. Tonight I'm bisque firing the stuff that I made to replace the items that I lost in last week's explosive firing. (I should try to take a picture of the debris inside the kiln before I clean it up but I doubt that I'll bother.) I'm really very excited about the pieces that I'm working on. I'm practicing my carving skills and making press molds which will keep the finished pieces as affordable as possible.I'm still working on the needle felted project that I posted about yesterday. In addition, I'm about to start a needle felted hat. I found a beautiful wool hat for $1.00 at a thrift shop. I'm going to embellish it with needle felting and take photos at each stage of the process. I'm thinking that it will work up into a fun tutorial. If I get my act together, I may be able to have it finished in time for the Whiplash deadline since the September theme is Hats.
My other big project right now is that I want to re-write my artists' statement. It's probably because of my recent obsession with fiberarts but I've got all of these philosophical points running around in my head about "Women's Work" and the whole Art vs. Craft debate and what gets called "craft" and the value placed on crafts as opposed to "Art"...I'm sure that reading statements from clothing designers, weavers, and other textile artists talking about their struggles to have their work accepted into galleries and validated by the "establishment" has influenced my thinking about all of this. It's just interesting to me that since I've decided to turn my attention more toward incorporating my beads into finished objects that compliment my interest in fibers and textiles, I've acquired a broader perspective with which to view the Art v. Craft groupthink.
However, if I find myself too tempted to indulge in pointless woolgathering, I just remind myself that I have a show to prepare for next weekend, and beads/pins to make.
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